The Things We Do began with a single image.
After finishing WhatKilledTimmyBenson, I found myself in an unexpected creative void. Spending more than ten years on one project leaves a strange emptiness once it's finally complete. I started developing another ambitious film, Lorna, but deep down I knew I needed to make something smaller—something I could actually bring to life.
Then, while watching The Outwaters, a single shot caught my attention. A birthday cake appeared briefly on screen, surrounded by darkness. It wasn't an important moment in the film, but it stayed with me. I became fascinated by the idea that something as joyful and familiar as a cake could feel deeply unsettling simply because of what might be sitting on the other side of the table.
That image brought back a story from my own family. As a boy, my father often found comfort working at a local bakery during difficult times at home. That memory slowly evolved into Jeremy, a young boy who finds safety in baking while trying to save someone he loves.
The cake became much more than a cake. It became a final act of hope. One last attempt to bring someone back before accepting that love alone cannot save them.